Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Last Sale Date | Title | Edition No. | Last Sale | Last Sale Auction House | Last Sale Location | |
|---|---|---|---|---|---|---|---|
| Sep 19, 2024 | My Second Drawing of Beuvron-en-Auge, from David Hockney - 220 for 2020. Art Edition No. 301–400 | 69 | Phillips | London | |||
Prints & Multiples
35.5 x 47.2 x 13 cm (13.98 x 18.58 x 5.12 in)
Inkjet print in colours, on cotton-fibre archival paper, the full sheet loose (as issued), with the original teal fabric-covered portfolio, and clamshell box containing two volumes
The print signed, dated "19" and numbered 69/100 in pencil (one of four editions of 100, there was also an edition of 1620 without an iPad drawing)
David Hockney (b. 1937)
My Second Drawing of Beuvron-en-Auge, from David Hockney - 220 for 2020. Art Edition No. 301-400, 2019/2021
Inkjet print in colours, on cotton-fibre archival paper, the full sheet loose (as issued), with the original teal fabric-covered portfolio, and clamshell box containing two volumes, including the illustrated 233-page chronology book titled 220 for 2020 and numbered "0369", and the facsimile sketchbook titled Los Angeles and La Grande Cour 2019 , all contained in the original cardboard box with label stamp-numbered "0369".
I. 33.2 x 92.6 cm (13 1/8 x 36 1/2 in.)
S. 45.8 x 102.7 cm (18 x 40 3/8 in.)
box 35.5 x 47.2 x 13 cm (13 7/8 x 18 5/8 x 5 1/8 in.)
The print signed, dated "19" and numbered 69/100 in pencil (one of four editions of 100, there was also an edition of 1620 without an iPad drawing), co-published by Taschen, Berlin, and the artist (with his blindstamp), with the accompanying Certificate of Authenticity issued by David Hockney, Inc., the print unframed.
